Peasenhall stands in hilly arable land in E Suffolk, between Saxmundham
and Halesworth. The village is clustered around the crossing of two Roman roads. One is now the A1120 and the
other formerly linked Harleston and Saxmundham. The church stands at the
crossroads in the centre of the village and immediately to the S is the factory
of Smyth and Sons. James Smyth invented an improved seed drill in 1800, and his
vigorous promotion of a genuinely better product led to expansion within the
village and to the building of workers' terraced housing, as his drills became
the brand leader throughout southern England. Smyth's enterprise is the reason
for the unusual presence in rural Suffolk of what is essentially an industrial
village. The surrounding land was always farmed, but the farmhouses are now
outside the village centre.
St Michael's consists of a nave, chancel and W
tower; the nave and chancel of knapped flints and the
tower of flint. The nave has a N doorway under a 15thc. porch with diagonal buttresses, niches and flushwork decoration. There is no S doorway. At
the W end is a gallery, erected in 1894 as an organ
loft and to house the choir. The chancel has a S
vestry. All of this work, except for the W tower and
the N porch, result from a restoration of 1860-61 paid
for by J. W. Brooke of Sibton Park and using R. D. Chantrell of London as
architect. He took down the old nave and chancel and
rebuilt them. He also heightened and repaired the tower. The newer masonry is
clearly visible and includes the bell openings and the embattled parapet with its flushwork decoration. The church
was seen by Henry Davy before the restoration, and his NE view was published in
1843. The most obvious differences are in the nave, the tower and the
chancel. Chantrell lengthened the nave by approximately
ten feet, so that Davy’s print shows only two windows E of the
porch rather than the present three. The tower was not
so tall in 1843 and had simpler bell openings, but a similar parapet, which
Chantrell presumably reused. The chancel E window was
formerly smaller, and there was a small window at the W end of the N wall
rather than the present window at the E. The only Romanesque feature is the
late-12thc. font, which was moved to its present position in the nave from a
site under the tower in
1909.