Bradfield Combust straddles the A134, Bury St Edmunds to Sudbury road, some 5 miles S of Bury. This was a Roman road, but is now an important thoroughfare that divides the church, Church Farm and the Manger public house, on the W side, from the hall and its park on the E. The village takes its name from the burning of the hall, one of the Abbot of St Edmundsbury’s residences, by disaffected tenants in 1327. The present hall is a 19thc. building, surrounded by a park planted by the Rev. Arthur Young (d.1759), father of the celebrated agriculturalist and political economist of the same name. The surrounding country is the typical rolling farmland of this part of W Suffolk.
All Saints’ church is a small building, 19thc. in appearance and uncharitably described by Pevsner as 'not very interesting.' It consists of a nave with a W bell-cote, a large S aisle and a chancel. The nave is 12thc., with a blocked round-headed N doorway, round-headed on the interior but with a lower 14thc. exterior opening. A timber porch covers the 14thc. S doorway. The aisle has a three-bay
arcade of the 14thc., and while the aisle windows are geometrical (i.e stylistically earlier) they all appear to be 19thc. The W front, including the bell-cote, belongs to a 19thc. remodelling. There is no chancel arch; the chancel is as wide as the nave and the division is marked by a step. It is stylistically 14thc. but apparently mostly of the 19thc. There is a N vestry. The church is largely of flint, but the N nave wall, which has only one window, towards the E, shows a mixture of flint and brick banding and ashlar blocks, with a band of red brick at the top where the roof has been heightened. A restoration of the aisle is recorded by a 1721 datestone near the S porch, and there was a restoration by F. C. Penrose of London in 1868-71, involving repairs to roof and walls and reseating. Romanesque sculpture is found on the remodelled font.