The Corpus of ROMANESQUE SCULPTURE in Britain & Ireland
Holy Sepulchre (now)
Parish church
12thc. circular aisled nave with unlighted gallery and central ribbed dome on a lighted drum. To this is attached a rectangular two-bay aisled chancel, originally of the 13thc. The present appearance owes much to Salvin's restoration of 1841: particularly the chancel, the W doorway, the gallery capitals and the entire drum and dome of the nave, which replaced a 15thc. bell-storey. The church is built of ashlar.
Parish church
The core of the church is the original circular nave, now called the Round, with an annular aisle and an arcade supported on eight columns with early Romanesque capitals of various designs. The aisle wall retains one original respond with its capital. The columns now support chamfered pointed arches carrying an octagonal clerestorey wall pierced by square-headed double lights. This upper section belongs to a rebuilding of c.1375. To the E of the Round and reached by steps was originally the Romanesque unaisled chancel, terminating in an apse, and this remains as the nave and chancel of the present church. A two-bay N aisle was added to it c.1200. A second N aisle was added later, and in the 14thc. a S aisle was added. As it stands, therefore, the church has four parallel naves, terminating at their E ends with (from N to S) a vestry, the Chapel of St Thomas, the chancel with an apse, and the Chapel of St George, but it will be seen that much of the fabric is 19thc. At the W end, the original W doorway was demolished and a tower with a spire added in the 14thc. By the 17thc. only the Round was in regular use, and the rest of the church fell into disrepair. The choir and the outer N aisle were demolished. In 1851 the tower was struck by lightning, and in that year George Gilbert Scott was engaged to carry out a thorough restoration of the entire church. He rebuilt what had been lost, including the outer N aisle and the chancel with its flanking chapels, and the church was reopened in 1864. The vestry at the end of the N outer aisle was added in 1887. The Romanesque sculpture falls into two groups. The main arcade piers and their capitals belong to the original fabric of c.1110, as does the single remaining aisle wall vault respond. To these must be attached a small tympanum now set inside the aisle wall, and the corbels of the original chancel (now visible high on the inner walls of the S and inner N aisles). The N doorway of the Round is of c.1170-80.